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Describing and mastering proper dance positions is an important part of dance technique. These dance positions of a single dancer may be further detailed into body, head, arm, hand, leg, and foot positions; also, these positions in a dance couple can additionally take into account connection, the relative orientation of partners, and directions ...
A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality , which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam ).
Customarily the man (or gent) stands to the left of the lady, his right hip touching or almost touching her left hip. Note that this promenade position is not the same as that promenade position defined in ballroom dances. Traditionally, the lead role in the dance was held by a man while the follow role was held by his woman dancing partner.
Second position in all schools holds the arms extended out to the side, the inner part of the upper arm parallel to the ground with the forearms and palms facing the audience. The roundness and shoulder height of the arms varies by school. Third position in the French/RAD schools holds one arm in second with the other arm in first.
It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists: List of dance style categories
In 1725, dancing master Pierre Rameau credited the codification of these five positions to choreographer Pierre Beauchamp. [1] Two additional positions, known as the sixth and seventh positions, were codified by Serge Lifar in the 1930s while serving as Ballet Master at the Paris Opéra Ballet, though their use is limited to Lifar's choreographies.
The promenade position is a V-shaped dance position with the leader's right hip and the follower's left hip in contact at the point of the "V", and with the leader's left side and the follower's right side slightly open. The direction of travel is toward the openside.