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The End of the Innocence is the third solo studio album by Don Henley, the co-lead vocalist and drummer for the Eagles. The album was released in 1989, on Geffen Records , and was his last release on that label.
The End of the Innocence became his first solo Top 10 album on the Billboard 200. By this time, Eagles had charted five Top 10 albums. The End of the Innocence became Henley's best-selling album to date, being certified six-times Platinum in the US. A fourth studio album, Inside Job, was released on May 23, 2000, via Warner Bros. Records.
"The End of the Innocence" is the lead single and title track from Don Henley's third solo studio album of the same name, released in 1989. Henley co-wrote and co-produced the song with Bruce Hornsby, who also performed piano. Both artists regularly include the song in their live performances.
"The Last Worthless Evening" is a song written by John Corey, Don Henley, and Stan Lynch. [3] It was a single recorded by Henley in 1989 that reached number 21 on the US Billboard Hot 100 chart.
"New York Minute" is a song written by Don Henley, Danny Kortchmar, and Jai Winding. Henley originally recorded it for his 1989 album The End of the Innocence.The track features Pino Palladino on fretless bass, Toto members David Paich, who played piano and wrote the string arrangement, and Jeff Porcaro on drums.
Cook called the digital drop “the largest album release of all time,” and according to Apple, 33 million people accessed Songs of Innocence in its first week. Data aside, the public response ...
The end of an era has come for Twenty One Pilots, and what an ending it is. The alternative pop-rock duo, made up of vocalist Tyler Joseph and drummer Josh Dun, have long been candid about anxiety ...
"The Heart of the Matter" is a song recorded by American rock singer Don Henley from his third solo studio album, The End of the Innocence (1989). Written by Henley, Mike Campbell, and JD Souther and produced by Henley, Campbell, and Danny Kortchmar, the song was released as the album's third single, reaching No. 21 on the Billboard Hot 100 and No. 2 on the Mainstream Rock Tracks in early 1990.