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This form of double crackle is called "gold thread and iron wire" (金丝铁线; 金絲鐵線; jīnsī-tiěxiàn) in Chinese tradition, describing the small and larger networks respectively. [ 18 ] Like other Song wares, Ge ware was skillfully copied in Jingdezhen porcelain under the Ming and Qing dynasties, [ 19 ] as well as the 20th century ...
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.
The David Vases, said to be two of the best-known Chinese porcelains in the world. The Percival David Foundation of Chinese Art (abbreviated as the PDF) held a collection of Chinese ceramics and related items assembled by Percival David that are on permanent display in a dedicated gallery in Room 95 at the British Museum.
Much traditional Chinese art was made for the imperial court, often to be then redistributed as gifts. As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or applied arts. Chinese fine art is distinguished from Chinese folk art, which differs in its style and purpose. This ...
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
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