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The name "Tajik" (Persian: تاجیک, romanized: tājīk, Tajik: тоҷик, romanized: tojik) did not always have the same meaning and did always serve as the self-designation of the present-day Tajik people. It started out as a name given by outsiders . The Middle Persian (or Sogdian or Parthian) word tāzīk ("Arab") is the commonly ...
The origin of the name Tajik has been embroiled in twentieth-century political disputes about whether Turkic or Iranian peoples were the original inhabitants of Central Asia. The explanation most favored by scholars is that the word evolved from the name of a pre-Islamic (before the seventh century A.D.) Arab tribe. [1]
In 1934, leading Russian director Lev Kuleshov was sent to Tajikistan to improve the quality of local movies. He worked for two years at a movie based on the novel Dokhunda by Tajik national poet Sadriddin Ayni, but the project was regarded with suspicion by the authorities as possibly exciting Tajik nationalism, and stopped. No footage survives.
For instance, the President of Tajikistan, Emomalii Rahmon, dropped the Russian suffix "-ov" from his surname and directed others to adopt Tajik names when registering births. [100] According to a government announcement in October 2009, approximately 4,000 Tajik nationals have dropped "ov" and "ev" from their surnames since the start of the year.
Flag of the Tajik SSR. In 1924, the Tajik Autonomous Soviet Socialist Republic was created as a part of Uzbekistan, but when national borders were drawn in 1928 (during the administrative delimitation) the ancient Tajik cities of Bukhara and Samarkand were placed outside the Tajikistan SSR.
Traditional centers of Tajik literature were Samarkand and Bukhara, however these cities are now in Uzbekistan. In recent history, Tajik literature has been predominantly social realist. Though Tajiks do not draw a line, between their own literature and general Persian literature, there have been a few notable Tajik writers and poets. The ...
Because of the Tajik Civil War from 1992 to 1997, virtually all of Tajik cinema before the new millennium was made abroad. Drawing from cinematic traditions in the East, West, and South (particularly from Iranian cinema), Tajik directors have been able to create influential films about the social and historical conditions of their land. Some ...
In most cases, this means, first of all, a change of stress (in the Tajik language, a fixed stress on the last syllable) - картошка, майка; loss of a soft sign that is absent in Tajik - апрел, контрол, change of the sound "ц" to the sound "с" - сирк (цирк), консерт (концерт), frequent replacement ...
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