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This form of double crackle is called "gold thread and iron wire" (金丝铁线; 金絲鐵線; jīnsī-tiěxiàn) in Chinese tradition, describing the small and larger networks respectively. [ 18 ] Like other Song wares, Ge ware was skillfully copied in Jingdezhen porcelain under the Ming and Qing dynasties, [ 19 ] as well as the 20th century ...
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
The David Vases, said to be two of the best-known Chinese porcelains in the world. The Percival David Foundation of Chinese Art (abbreviated as the PDF) held a collection of Chinese ceramics and related items assembled by Percival David that are on permanent display in a dedicated gallery in Room 95 at the British Museum.
Under the Kangxi Emperor's reign (1662–1722) the Chinese porcelain industry, now largely concentrated at Jingdezhen was reorganised and the export trade soon flourished again. Chinese export porcelain from the late 17th century included blue-and-white and famille verte wares (and occasionally famille noire and famille jaune). Wares included ...
Small Guan bowl on legs (some 3 inches across), with pronounced type 3 glaze crackle Mallet-shaped vase, Guan ware, 12th–13th century, with type 1 crackle. Guan ware or Kuan ware (Chinese: 官窯; pinyin: guān yáo; Wade–Giles: kuan-yao) is one of the Five Famous Kilns of Song dynasty China, making high-status stonewares, whose surface decoration relied heavily on crackled glaze, randomly ...
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