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  2. Longquan celadon - Wikipedia

    en.wikipedia.org/wiki/Longquan_celadon

    Most shapes are simple but very elegant. The size and decoration of larger fine pieces increases from the Yuan onwards, with some very large vases and lidded wine jars being made by the 14th century. The "mallet" vase was a special favourite at Longquan, often with handles formed as animals or dragons. [20]

  3. Transitional porcelain - Wikipedia

    en.wikipedia.org/wiki/Transitional_porcelain

    Although very much in the "Chinese taste", the pieces also appealed to buyers from Japan and Europe, and many were immediately exported. Other types of wares were made in the Japanese taste, such as the shonsui wares and the ko sometsuke (古染付け) or "old blue-and white" (the same term is used for Japanese-made versions of the style). [7]

  4. Hispano-Moresque ware - Wikipedia

    en.wikipedia.org/wiki/Hispano-Moresque_ware

    Detail of two gazelles from an Alhambra vase, c. 1400. The best known and most impressive examples of Andalucian wares are the Alhambra vases, a number of very large vases made to stand in niches in the Alhambra in Granada, and perhaps elsewhere. These are very atypical in Islamic pottery in having only a decorative function, with no practical ...

  5. Chinese export porcelain - Wikipedia

    en.wikipedia.org/wiki/Chinese_export_porcelain

    Chinese export porcelain from the late 17th century included blue-and-white and famille verte wares (and occasionally famille noire and famille jaune). Wares included garnitures of vases, dishes, teawares, ewers, and other useful wares along with figurines, animals and birds.

  6. Ge ware - Wikipedia

    en.wikipedia.org/wiki/Ge_ware

    This vase, catalogued as PDF.94, has "double crackle", or two sizes of crackle glaze, one with wide and large crackle, the other with a finer network. Each set of cracks has had the effect heightened by applying a coloured stain, in different colours. [ 16 ]

  7. Famille rose - Wikipedia

    en.wikipedia.org/wiki/Famille_rose

    A selection of falangcai porcelains Bowl with peacock in falangcai painted enamels, Yongzheng reign. National Palace Museum. The origin of famille rose is not entirely clear. It is believed that this colour palette was introduced to the Imperial court in China by Jesuits, achieved through the use of purple of Cassius, initially on enamels used on metal wares such as cloisonné produced in the ...

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