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The Statute of Artificers 1563 or the Artificers and Apprentices Act 1563 (5 Eliz. 1.c. 4), also known as the Statute of Labourers 1562, [1] was an act of the Parliament of England, under Queen Elizabeth I, which sought to fix prices, impose maximum wages, restrict workers' freedom of movement and regulate training.
The 1559 Book of Common Prayer, [note 1] also called the Elizabethan prayer book, is the third edition of the Book of Common Prayer and the text that served as an official liturgical book of the Church of England throughout the Elizabethan era. Elizabeth I became Queen of England in 1558 following the death of her Catholic half-sister Mary I.
The Act of Supremacy 1558 (1 Eliz. 1.c. 1), sometimes referred to as the Act of Supremacy 1559, [a] is an act of the Parliament of England, which replaced the original Act of Supremacy 1534, and passed under the auspices of Elizabeth I.
Margaret Hoby's diary – the earliest known by an Englishwoman (1599–1605) – gives a notable account of the domestic disciplines of Elizabethan puritanism, along with the religious exercises and prayers for the whole household and the private prayers and reading, in which she was guided by her chaplain, Richard Rhodes.
Perkins is credited with introducing Beza's version of double predestination to the English Puritans, a view which he popularized through the use of a chart he created known as "The Golden Chain". William Perkins (1558–1602), a Puritan theologian who espoused strict moral standards during the reign of Elizabeth I and championed "experimental ...
The Poor Relief Act 1601 [1] (43 Eliz. 1.c. 2) was an Act of the Parliament of England. The Act for the Relief of the Poor 1601, popularly known as the Elizabethan Poor Law, the "43rd Elizabeth", [a] or the "Old Poor Law", [b] was passed in 1601 and created a poor law system for England and Wales.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
Subsequent records of the Elizabethan court mention "Ipolitan the Tartarian", [7] who is identified by Bernadette Andrea and other scholars as the same person. From these sources, her identity seems to be formed and connected with international trade and the Muscovy Company , with the exchange of eastern silks and Russian furs.