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The painting depicts Saul, the king of the Israelites. He is visually touched by the harp playing. The depicted situation comes from 1 Samuel 16:14-23 and 1 Samuel 18:8-11, in which King Saul is abandoned by the Holy Spirit, and God sends him an evil spirit. It taunts Saul, and only David's harp playing can relax him.
Saul becomes ill and David comes to play the harp to him. Saul takes a liking to David and David enters Saul's court as his armor-bearer and harpist. A new war against the Philistines begins, and a Philistine champion named Goliath emerges, challenging any Israelite to one-on-one combat, with the loser's people becoming subject to the winner ...
In front of the harp, the figure of a bare-chested black man was kneeling, holding sheet music for the song. The plaster was given a dark surface treatment, and finished like basalt. Savage named the sculpture Lift Every Voice and Sing after the poem and hymn, but the fair's organizing committee renamed it The Harp. Exhibited outside the ...
George Frideric Handel. Saul (HWV 53) is a dramatic oratorio in three acts written by George Frideric Handel with a libretto by Charles Jennens.Taken from the First Book of Samuel, the story of Saul focuses on the first king of Israel's relationship with his eventual successor, David—one which turns from admiration to envy and hatred, ultimately leading to the downfall of the eponymous monarch.
Magic Cheesecake Bars. The classic magic bar, sometimes called “7-layer bars,” consist of graham crackers, condensed milk, gooey chocolate chips (and butterscotch chips), coconut, and nuts ...
[2] Saul's face reflects Michelangelo's own, who at this point was an old man also troubled by his faith. The figure of Saul represents “the human being in need of a greater light”. [3] Surrounding Saul is a triangular composition of companions that attempt to aid him as he lies recumbent on the ground.
Concerto for Harp and Chamber Orchestra, Op. 69 (1977) [45] Geirr Tveitt. Harp Concerto No. 1 (Lost) Harp Concerto No. 2 "Concerto Eroico" op.170 (1957) [46] Heitor Villa-Lobos. Harp Concerto (1953) Georg Christoph Wagenseil. Concerto for Harp and strings in F, WWV 281 (1761) John Williams. On Willows and Birches (2009) Mario Zafred
The Suicide of Saul is an early attempt by Bruegel to reconcile landscape and figure painting. Despite the scale of the subject, at 33.5 cm × 55 cm (13.2 in × 22 in) it is rather small compared to his later landscape subjects, but has an "astonishingly dense and highly dramatic composition". [ 2 ]
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