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The album debuted at number 16 on the US Billboard 200, earning 16,153 album sales in its first week. By the end of 2015, Emotion had sold a total of 36,000 copies. [126] In Canada, the album debuted at number 8 with 2,600 copies sold in its first week. In Japan, the album debuted at number 8 with 12,189 physical copies sold in its first week.
Kanjō Effect (感情エフェクト) is the third full-length album by the Japanese rock band One Ok Rock, released on November 12, 2008. [2] It reached No. 13 on the Oricon weekly chart and charted for 15 weeks before dropping out. [3] This was the last album to feature original lead guitarist Alex Onizawa.
Eir Aoi (Japanese: 藍井 エイル, Hepburn: Aoi Eiru, born November 30, 1988) [1] [2] is a Japanese singer from Sapporo, Hokkaido, signed to Sacra Music.After being discovered through the Japanese video sharing website Niconico, Aoi made her major debut in 2011 with the release of her first single "Memoria", [3] whose title track was used as the first ending theme to the 2011 anime ...
Quiet Life is the third studio album by English new wave band Japan, first released on 7 December 1979 [5] in Canada, Japan and The Netherlands by record label Hansa and on 18 January 1980 in the UK. [6] The album was a transition from the glam rock-influenced style of previous albums to a synth-pop style.
Lifetime's 1995 album, Hello Bastards on Jade Tree Records, fused hardcore punk with emo and eschewed cynicism and irony in favor of love songs. [54] The album sold tens of thousands of copies, [55] and Lifetime paved the way for New Jersey and Long Island emo bands Brand New, Midtown, [56] The Movielife, My Chemical Romance, [56] Saves the Day ...
The album contains 16 songs totalling over 70 minutes in length, and was released in various countries in Asia, with Avex Trax releasing it in China, Hong Kong, and Indonesia, and S.M. Entertainment releasing it in South Korea. [22] In 2012, the album was reissued by Avex Trax in a Playbutton format. [23]
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Yuichi Hirayama of EMTG noted that the song felt odd compared to contemporary songs charting in Japan, believing that "Sayonara wa Emotion" expressed reality much stronger than the other songs. He believed that this was a sign that Sakanaction did not write music in response to the Japanese music scene, instead were creative musicians of their ...