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The Harmonice Musices Odhecaton (One Hundred Songs of Harmonic Music, [1] also known simply as the Odhecaton) is an anthology of polyphonic secular songs published by Ottaviano Petrucci in 1501 in Venice. It is the first book of polyphonic music ever to be printed using movable type.
In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs, or related fiction/non-fiction excerpts by different authors. There are also thematic and genre-based anthologies.
Anthology film series are rare compared to their TV and radio counterparts. There have been several attempts within the horror genre to have a franchise with an anthology format, such as with the Halloween franchise where the third film, Halloween III: Season of the Witch , was meant to be the beginning of a series of anthology horror films ...
Three albums covering the three books of the trilogy. The Black Halo: Kamelot: Faust: Johann Wolfgang von Goethe: The Black Halo is a concept album based on Faust, Part Two. It is a follow-up to Epica, which was based on Faust, Part One. [1] Cacophony: Rudimentary Peni: Various works of H. P. Lovecraft: H. P. Lovecraft
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Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments.He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales, alongside Lou Harrison.
An anthology, literally "a garland" or "collection of flowers", is a collection of literary works, originally of poems. This category should hold only articles about anthologies which are of broad scope and generally non-fiction and non-literary, or are mixed works (fiction, poetry, etc.) which are mixed with non-fiction works (speeches, essays, etc.)
Mozart's sacred music is mainly vocal, though also instrumental examples exist, like the seventeen Sonate da chiesa, composed between 1772 and 1780. His sacred music presents a rich stylistic mosaic: Gregorian choral elements meet rigorous counterpoint, and even operatic elements can sometimes emerge. Stylistic unity and consistency is present ...