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In the film the monster is a kraken, a giant squid-like sea monster in Norse mythology, rather than the whale-like Cetos of Greek mythology. Perseus defeats the sea monster by showing it Medusa's face to turn it into stone, rather than by using his magical sword, and rides Pegasus. [52]
The Kraken" is a sonnet by Alfred Tennyson (1809–1892) that describes the Kraken, a mythical creature. It was published in Tennyson's Poems, Chiefly Lyrical (1830). The critic Christopher Ricks writes that it is among the best poems in the volume, all of which originate in Tennyson’s "despondency". [ 1 ]
It allows the poet to stress certain words and shape the meaning of the poem. There are two main divisions within the meters of ancient Greek poetry: lyric and non-lyric meters. "Lyric meters (literally, meters sung to a lyre) are usually less regular than non-lyric meters. The lines are made up of feet of different kinds, and can be of varying ...
The English word "kraken" (in the sense of sea monster) derives from Norwegian kraken or krakjen, which are the definite forms of krake ("the krake"). [6] [7]According to a Norwegian dictionary, the root meaning of krake is "malformed or overgrown, crooked tree". [8]
In Greek mythology, Perseus (US: / ˈ p ɜː r. s i. ə s /, UK: / ˈ p ɜː. sj uː s /; Greek: Περσεύς, translit. Perseús) is the legendary founder of the Perseid dynasty.He was, alongside Cadmus and Bellerophon, the greatest Greek hero and slayer of monsters before the days of Heracles. [1]
According to legend, she killed herself by leaping from the Leucadian cliffs due to her unrequited love for the ferryman Phaon. Sappho was a prolific poet, probably composing around 10,000 lines. She was best-known in antiquity for her love poetry; other themes in the surviving fragments of her work include family and religion.
Anacreon's poetry touched on universal themes of love, infatuation, disappointment, revelry, parties, festivals, and observations of everyday people and life. It is the subject matter of Anacreon's poetry that helped to keep it familiar and enjoyable to generations of readers and listeners.
Erato is the Muse of lyric poetry, particularly erotic poetry, and mimic imitation. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical instrument often associated with Apollo. [2]