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Kenny "Blues Boss" Wayne (born Kenneth Wayne Spruell, [2] November 13, 1944) [3] is an American blues, boogie-woogie and jazz pianist, singer and songwriter. Music journalist, Jeff Johnson, writing in the Chicago Sun-Times stated, "There's no boogie-woogie-blues piano man out there today who pounds the 88's with the conviction of Kenny "Blues Boss" Wayne."
Kenny "Blues Boss" Wayne; David Wilcox (Canadian musician) Jesse Winchester This page was last edited on 4 December 2021, at 21:53 (UTC). Text is available under the ...
The following list of nicknames of blues musicians complements the existing list of blues musicians by referring to their nicknames, stage names and pseudonyms, thereby helping to clarify possible confusion arising over artists with similar or the same nicknames. The list is arranged in alphabetical order by nickname rather than surname.
Urban Blues Re:Newell – King Biscuit Boy; Big City Blues – Sue Foley; When the Sun Goes Down – The Sidemen [1] 1997. Long John Baldry: Right to Sing the Blues: If My Daddy Could See Me Now – Johnny V; Alive & Loose – Kenny "Blues Boss" Wayne; Sixteen Shades of Ble – The Whiteley Brothers; Fire – Tongues of Fire [1]
United Sound Systems in May 2024. United Sound Systems is a recording studio and locally designated historic district in Detroit, Michigan, United States. [1] Many popular music artists over the last seventy years have recorded at the facility, including blues musicians like John Lee Hooker (he recorded "Boogie Chillen'" there in 1948), and funk bands like Parliament-Funkadelic.
He was a guest on Kenny "Blues Boss" Wayne's Jumpin' & Boppin' album. [1] He played at a memorial event for Dave Semenko in 2017. [2] References
Perhaps someone has in a photo album or, in a box, a photo of Kenny Lytton or his service station. Many people would be happy to see such a photo, and I would be able to put to rest a 20-year quest.
The genesis of blues music in Detroit occurred as a result of the first wave of the Great Migration of African Americans from the Deep South.In the 1920s, Detroit was home to a number of pianists who performed in the clubs of Black Bottom and played in the boogie-woogie style, such as Speckled Red, Charlie Spand, William Ezell, and most prominently, Big Maceo Merriweather.