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2. JBL - Wikipedia

   en.wikipedia.org/wiki/JBL

   1958 – Introduction of JBL Paragon stereo speaker system; 1962 – JBL creates the first 2-way studio monitor, using a high-frequency motor lens; 1967 - JBL creates the iconic red box logo with the exclamation (!) and white lettering. Designed by Arnold Wolfe, the president of JBL [8] 1968 – JBL launches the 3-way speaker 4310

3. List of studio monitor manufacturers - Wikipedia

   en.wikipedia.org/wiki/List_of_studio_monitor...

   This is a list of notable manufacturers of studio monitors. ... JBL: United States: 3 series, Control KRK: United States: Rokit, V-series M-Audio: United States: AV ...

4. Sound reinforcement system - Wikipedia

   en.wikipedia.org/wiki/Sound_reinforcement_system

   A number of manufacturers produce powered monitor speakers, which contain an integrated amplifier. Using monitor speakers instead of in-ear monitors typically results in an increase of stage volume, which can lead to more feedback issues and progressive hearing damage for the performers in front of them. [13]

5. Infinity Systems - Wikipedia

   en.wikipedia.org/wiki/Infinity_Systems

   Genesis' original flagship system, the 1.2, retailed for US$235,000, [3] and is basically an updated Infinity IRS system. [4] Since the departure of Nudell, Infinity speaker designs have taken a more mass market-oriented approach. The efficient SM (Studio Monitor) series incorporated a polycell tweeter and graphite-impregnated midrange/woofers.

6. Stage monitor system - Wikipedia

   en.wikipedia.org/wiki/Stage_monitor_system

   The simplest monitor system is a speaker pointed at the performer fed from the FOH mix. This might be used by one or two performers in a coffee house, small club, or small house of worship. In this setting, a two-channel powered mixer might be used with one channel powering the main speakers and one channel powering the monitor speaker.

7. Harman Kardon - Wikipedia

   en.wikipedia.org/wiki/Harman_Kardon

   In 1959, Harman Kardon marketed the Citation II, an early ultra wideband stereophonic tube amplifier. It featured 60 watts/channel output with a frequency response of 18–60,000 Hz at 20 watt output. [20] The company promoted their philosophy of designing high fidelity sound using amplifiers that provided widest possible audio bandwidth.