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The work is based on the Rondeau from Henry Purcell's incidental music to Aphra Behn's Abdelazer, [2] and is structured, in accordance with the plan of the original documentary film, as a way of showing off the tone colours and capacities of the various sections of the orchestra. In the introduction, the theme is initially played by the entire ...
An orchestra (/ ˈ ɔːr k ɪ s t r ə /; OR ... Orchestras also perform overtures, a term originally applied to the instrumental introduction to an opera. [38 ...
For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be ...
In some forms of English, the word "symphony" is also used to refer to the orchestra, the large ensemble that often performs these works. The word "symphony" appears in the name of many orchestras, for example, the London Symphony Orchestra, the Boston Symphony Orchestra, the St. Louis Symphony, the Houston Symphony, or Miami's New World Symphony.
While some orchestras protested the introduction of the conductor, since they were used to having a concertmaster or keyboard player act as leader, eventually the role of a conductor was established. The size of the usual orchestra expanded during this period, and the use of a baton became more common as it was easier to see than bare hands or ...
"An orchestra that is famous for its innovation, for putting out so many albums of living composers since it was founded in 1937," he said. "I am so proud of everyone at the orchestra, to the ...
A wider array of percussion instruments began to appear. Brass instruments took on larger roles, as the introduction of rotary valves made it possible for them to play a wider range of notes. The size of the orchestra (typically around 40 in the Classical era) grew to be over 100. [79]
The orchestra, drawn mainly from the Concerts Colonne in Paris, comprised 99 players, much larger than normally employed at the theatre, and had difficulty fitting into the orchestra pit. [49] After the first part of the ballet received two full orchestral rehearsals in March, Monteux and the company departed to perform in Monte Carlo.