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The camera had a built-in flash, but no focus or zoom controls, as the fixed-focal length lens had an equivalent angle of view as a standard 50mm lens for a 35mm film camera; the fixed-focus lens captured a range from 4 feet (1.2 m) to infinity; [14] autoexposure was set by the camera, which controlled both shutter speeds (ranging from 1 ⁄ 30 ...
Cameras used 35mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 2:1 ...
The majority of 35 mm film systems, cameras, telecine equipment, optical printers, or projectors, are configured to accommodate the 4-perf system; each frame of 35 mm is 4 perforations long. 4-perf was (and remains) the traditional system, and the majority of projectors are based on 4-perf, because 4 perforations is the amount needed per frame vertically in order to have enough negative space ...
If the lens mounts are compatible, many lenses, including manual-focus models, designed for 35 mm cameras can be mounted on DSLR cameras. When a lens designed for a full-frame camera, whether film or digital, is mounted on a DSLR with a smaller sensor size, only the center of the lenses image circle is captured.
Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146-degrees of arc. [2] [3] The trademarked process was marketed by the Cinerama corporation. It was the first of several novel processes introduced during the 1950s when the ...
A cartridge of Kodak 35 mm (135) film for cameras.. A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking.
The 70mm Fox Grandeur cameras were manufactured by Mitchell Camera Corporation, and were based on the Mitchell Studio Standard 35mm camera, enlarged to accommodate 70 mm 4-perf film. The cameras were designated as Mitchell Model FC cameras, the FC designation most likely originally standing for Fox-Case, as the technical specifications and ...
The usual frame size of 35mm still cameras is 24×36 mm, however half-frame cameras typical use an image area of 18×24 mm. One net result of this is that a roll of film can typically contain twice the number of exposures as in a full frame 35mm camera (that is, a roll that is nominally 36 exposures allows 72 in the half-frame format).