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VistaVision could be shown at widescreen aspect ratios between 1.66 and 2.00:1. VistaVision could be (and most often was) further printed down to standard vertical 35 mm reels, keeping its 1.66:1 widescreen aspect ratio, which meant that exhibitors did not need to purchase additional projection equipment, as was often required for CinemaScope.
The Minolta MAXXUM 7000 (7000 AF in Europe and α-7000 in Japan) 35 mm SLR camera was introduced in February 1985. It was the first camera to feature both integrated autofocus (AF) and motorised film advance, the standard configuration for later amateur and professional single lens reflex cameras.
Cameras used 35mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 2:1 ...
Techniscope employs standard 35 mm camera films, which are suitable for 2-perf (Techniscope), 3-perf, conventional 4-perf (spherical or CinemaScope), and even 6-perf and 8-perf (VistaVision), as all of those processes listed employ the same negative and intermediate films, and positive print films intended for direct projection (although 2-, 3- and 8-perfs are not distribution formats).
MacUpdate has offered several "bundles" offering Mac software at a discounted price. [2] [3] [4] The company offered an application called MacUpdate Desktop ($20/year with a 10 day trial) which automatically downloaded and installed updates to other installed applications on a user's Mac. [5] MacUpdate Desktop has since been discontinued. [6]
Tessina is hand assembled from more than two hundred precision parts, it contains ruby bearing like swiss watch to reduce friction, each camera is designed for 100,000 pictures. Three models have been produced: Tessina Automatic 35mm, Tessina 35 and Tessina L; available were a variety of color/finish combinations that included brushed, painted ...
The camera had a built-in flash, but no focus or zoom controls, as the fixed-focal length lens had an equivalent angle of view as a standard 50mm lens for a 35mm film camera; the fixed-focus lens captured a range from 4 feet (1.2 m) to infinity; [14] autoexposure was set by the camera, which controlled both shutter speeds (ranging from 1 ⁄ 30 ...
If the lens mounts are compatible, many lenses, including manual-focus models, designed for 35 mm cameras can be mounted on DSLR cameras. When a lens designed for a full-frame camera, whether film or digital, is mounted on a DSLR with a smaller sensor size, only the center of the lenses image circle is captured.