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A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. [4][5]: 145 Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective (rectilinear images), fisheye lenses use ...
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
Hemispherical photography, also known as canopy photography, is a technique to estimate solar radiation and characterize plant canopy geometry using photographs taken looking upward through an extreme wide-angle lens or a fisheye lens (Rich 1990). Typically, the viewing angle approaches or equals 180-degrees, such that all sky directions are ...
Fisheye lenses are wide-angle lenses with heavy barrel distortion and thus exhibit both these phenomena, so objects in the center of the image (if shot from a short distance) are particularly enlarged: even if the barrel distortion is corrected, the resulting image is still from a wide-angle lens, and will still have a wide-angle perspective.
A fisheye lens is a special type of ultra-wide angle retrofocus lens with little or no attempt to correct for rectilinear distortion. Most fisheyes produce a circular image with a 180° field of view. The term fisheye comes from the supposition that a fish looking up at the sky would see in the same way. [1]: 145
35 mm equivalent focal length. The resulting images from 50 mm and 70 mm lenses for different sensor sizes; 36x24 mm (red) and 24x18 mm (blue) In photography, the 35 mm equivalent focal length is a measure of the angle of view for a particular combination of a camera lens and film or image sensor size. The term is popular because in the early ...
Some fisheye lenses use a stereographic projection to capture a wide-angle view. [26] Compared to more traditional fisheye lenses which use an equal-area projection, areas close to the edge retain their shape, and straight lines are less curved. However, stereographic fisheye lenses are typically more expensive to manufacture. [27]
1969. Predecessor. UW Rokkor 18mm f/9.5. Successor. AF Fish-Eye 16mm f/2.8. The Fish-Eye Rokkor 16mm f/2.8 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1969 to replace an earlier fisheye lens, the UW Rokkor 18mm f/9.5. It is a full-frame fisheye lens with a 180° viewing angle across ...
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