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Terracotta shrine figure of Aiyanar, who is a male village guardian deity. The Crafts Museum was established in 1956 by the now defunct All India Handicrafts Board. [4] It was set up over a period of 30 years starting in the 1950s and 60s by the efforts of Kamaladevi Chattopadhyay, when the area was envisaged as an ethnographic space where craftsmen from various parts of India would come in to ...
The state has the third highest number of handlooms and the highest number of handloom weavers in co-operative units. The department of handlooms is responsible for ensuring the sustainability of the weavers by facilitating raw materials for production, infrastructure support, marketing and sales of finished goods through Co-optex. [13] Powerloom
Sant Kabir Award is an Indian Government award conferred to outstanding weavers who have made valuable contribution in keeping alive the handloom heritage. It was established for dedication in building up linkages between the past, present and future through dissemination of knowledge on traditional skills and designs by Ministry of Textiles, Government of India. [1]
Pilkhuwa is notable for its handloom cotton textiles and exotic printing on khadi and handloom fabrics. [6] There were 120 medium scale industries, 1400 power looms and 3 niwar factories in Pilkhuwa in 1991. 7000 persons employed in textile production, 2000 in cloth sheet washing, 500 in pressing machines, 500 in dyeing, 100 in kundis and 200 ...
In 1950 Pupul Jayakar was invited by Jawaharlal Nehru to study the handloom sector of the economy. [1] The AIHB was established in 1952. [2] [3] [4] Its first chair was Kamaladevi Chattopadhyay. [5] Other early key figures included Lakshmi Chand Jain, Kitty Shiva Rao and Fori Nehru. [2] [6]
Mau district is one of the districts of Uttar Pradesh state of India, and Mau town is the district headquarters which is also one of the few remaining areas of handloom saree production in eastern Uttar Pradesh, specializing in Sadiya silk sarees. [1] Mau was carved out as a separate district from Azamgarh on 19 November 1988.
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The base cloth includes water proof material for umbrellas, velvet for tents, cotton, and threads. [6]Mythical and natural figures are used for the work, including peacocks, ducks, parrots, trees, elephants, creepers, flowers such as jasmine and lotus, the Sun, half-moon, and Rahu (a mythical demon who once swallowed up the sun).