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"Concerning Hobbits" is a piece by composer Howard Shore derived from The Lord of the Rings: The Fellowship of the Ring soundtrack.It is a concert suite of the music of the Hobbits, arranged from the music heard in the film during the early Shire scenes, and features the various themes and leitmotifs composed for the Shire and Hobbits; it is intended to evoke feelings of peace. [1]
It features both in the films, many times, and in Shore's concert suite Concerning Hobbits. The melody, all in one key, occurs in pensive, rural, and hymn settings. [n] The pensive setting [o] is played classically, with the melody on whistle or clarinet according to the mood of the moment.
Following the style of his music for The Lord of the Rings film series, Howard Shore constructed the score for The Hobbit using many strong recognisable musical themes. The musicologist Doug Adams described these as "an encyclopedic network of leitmotifs: dozens of themes that represented cultures, characters, objects, and dramatic concepts in Middle-earth."
Since then, it has been arranged for many occasions, including a full symphonic version by the Tabernacle Choir at Temple Square, [3] and a version by Joseph McManners. [4] The last lines pay homage to There and Back Again, an alternate title for Lord of the Rings author J. R. R. Tolkien's earlier book The Hobbit.
Howard Leslie Shore (born October 18, 1946) is a Canadian composer, conductor and orchestrator noted for his film scores. [1] He has composed the scores for over 80 films, most notably the scores for The Lord of the Rings and The Hobbit film trilogies.
Symphony No. 1 The Lord of the Rings, by Johan de Meij. Symphony No. 1 The Lord of the Rings is the first symphony for concert band written by Johan de Meij, and one of several works of classical music based on J. R. R. Tolkien's fantasy The Lord of the Rings.
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