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Salah Asuhan (Indonesian: Wrong Upbringing) is an Indonesian novel by Abdul Muis originally published in 1928 by Balai Pustaka. It is widely considered one of the best examples of early modern Indonesian literature .
In his first novel, Salah Asuhan (Wrong Upbringing), published in 1928, Muis depicted the problem of racial and social discrimination in the tragic story of Hanafi and Corrie. [6] The Western-oriented Hanafi and the feisty, liberal Corrie represent the conflict pre-independent Indonesia faced in choosing either to adhere to traditional values ...
However, it has also been called a sequel of Salah Asuhan. [4] Mahayana et al considered the use of language "convincing", with uneducated characters using a mix of Betawi and Malay words. As a result, they consider it a result of Muis' observations while living in Batavia. [5] Bakri Siregar considered Pertemuan Jodoh "much weaker" than Salah ...
Salah Asuhan (literally Wrong Upbringing, released internationally as The Misfit) is a 1972 film directed by Asrul Sani, produced by Andy Azhar, and starring Dicky Zulkarnaen, Ruth Pelupessy, and Rima Melati.
Balai Pustaka ([ˈbalai pusˈtaka]; also spelled Balai Poestaka, both meaning "Bureau of Literature") is the state-owned publisher of Indonesia and publisher of major pieces of Indonesian literature such as Salah Asuhan, Sitti Nurbaya and Layar Terkembang. Its head office is in Jakarta. [1]
[32] [38] Belenggu was the only novel published by the magazine [38] and the first Indonesian psychological novel. [1] In 1969, Belenggu received the first annual Literary Prize from the government of Indonesia, along with Marah Rusli's Sitti Nurbaya (1922), Salah Asuhan, and Achdiat Karta Mihardja's Atheis (Atheist; 1949). [39]
Abdul Muis, Indonesian novelist, famous novel: Salah Asuhan; Afrizal Malna, Indonesian writer; Ahmad Fuadi, Indonesian novelist, famous novel: Negeri 5 Menara; Alfian ...
Dutch scholar of Indonesian literature A. Teeuw notes that Layar Terkembang is one of the three most important Indonesian works written before World War II, together with Salah Asuhan and Belenggu. He writes that the novel shows the shift in focus from the conflict between individuals and traditional culture to a nationalist awakening in the ...
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