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Corporate Memphis is an art style named after the Memphis Group that features flat areas of color and geometric elements. Widely associated with Big Tech illustrations in the late 2010s [ 1 ] and early 2020s, [ 2 ] it has been met with a polarized response, with criticism focusing on its use in sanitizing corporate communication, [ 1 ] as well ...
If you’ve ever walked through a modern art gallery, you know the style: bold colors, abstract shapes, dynamic patterns and geometric arrangements. The interplay of shapes and colors gives modern ...
Speelberg, Femke. "Fashion & Virtue: Textile Patterns and the Print Revolution, 1520–1620". Metropolitan Museum of Art Bulletin. New York: Metropolitan Museum of Art, 2015. Print. Perivoliotis, Margaret C. "The Role of Textile History in Design Innovation: A Case Study Using Hellenic Textile History". Textile history 36.1 (2005): 1–19. Web.
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Girih consists of geometric designs, often of stars and polygons, which can be constructed in a variety of ways. [16] Girih star and polygon patterns with 5- and 10-fold rotational symmetry are known to have been made as early as the 13th century. Such figures can be drawn by compass and straightedge.
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.