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Geoffrey Beaumont CR (1903–1970) was an Anglican priest and monk of the Community of the Resurrection who was also a composer of popular songs and hymn tunes. After graduation he attended Ely Theological College and was ordained in 1932 to a curacy in Nunhead. During the war he served as a chaplain in the RNVR, for which he was awarded the MBE.
Hatherop lies in the southern part of the Cotswolds, a range of hills designated an Area of Outstanding Natural Beauty, and is approximately 30 miles (48 km) south-east of Gloucester. It is situated about 9 miles (14 km) east of Cirencester and 3 miles (4.8 km) north of Fairford. [4] Close by are the parishes of Coln St. Aldwyns and Quenington.
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony , a fast harmonic rhythm (chords change frequently), with or without refrain or chorus.
The hymn first appeared in Songs of Praise in 1931. [2] The hymn is sometimes performed by folk singers on account of the folk origins of its tune, notably by Martin Simpson during Prom 5 (Folk day - part 2) in the BBC Proms on July 20, 2008. [3] [4] An up tempo version can be found on Blyth Power's 1990 album Alnwick and Tyne. [5]
A chorale cantata is a church cantata based on a single hymn, both its text and tune. Bach was not the first to compose them, but for his 1724-25 second Leipzig cantata cycle he developed a specific format: in this format the opening movement is a chorale fantasia on the first stanza of the hymn, with the hymn tune appearing as a cantus firmus.
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: four-part harmony; SATB vocal forces; pre-existing hymn tune allotted to the soprano part; text treatment: homophonic; no repetitions (i.e., each syllable of the hymn text is sung ...
The poem circulated privately for a few years until it was set to music by Holst, to a tune he adapted from his Jupiter to fit the poem's words. It was performed as a unison song with orchestra in the early 1920s, and it was finally published as a hymn in 1925/6 in the Songs of Praise hymnal (no. 188).
The cantata text was provided by Erdmann Neumeister, who quoted the Book of Revelation and framed his work by two hymn stanzas, the beginning of Martin Luther's "Nun komm, der Heiden Heiland", the main hymn for Advent with a melody based on Medieval chant, and the end from Philipp Nicolai's "Wie schön leuchtet der Morgenstern".
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