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The artists live mostly in Chitron ki gali (Street of paintings) and Chitrakaron ka mohallah (colony of painters) and are a close community with constant interaction. Often a pichhwai painting is a group effort, where several skilful painters work together under the supervision of a master artist.
Inspired by the Thanjavur Painting, Nathdwara paintings are of different sub-styles of which Pichhwai paintings are the most popular. [1] The word Pichwai derives from the Sanskrit words pich meaning back and wais meaning hanging. These paintings are cloth paintings hung behind the image of the Hindu god Shrinathji. [citation needed]
Cicada motifs were used as early as the Shang and Zhou dynasties to decorate bronze; both realistic and stylized cicada motif were used during these periods. [13]: 89 Cicada motifs were also used in 17th and 18th when decorating bronze and cloisonne objects which imitating ancient bronzes.
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
Leg warmers are worn to keep the lower legs warm in colder weather. They can be tubular sleeves, long fabric wrappings, or simple pieces of fur or fabric tied around the calves. They are used in several outdoor activities and sports including cycling, soccer, hockey, hiking, ice skating, and dance.
Warli painting is tribal art mostly created by the tribal people from the North Sahyadri Range in Maharashtra, India. Warli paintings exist in cities such as Dahanu , Talasari , Jawhar , Palghar , Mokhada , and Vikramgad of Palghar district, and originated in Maharashtra, where it is still practiced today.
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
Khovar painting is a sacred art form depicting fertility and is generally monochrome. First, the wall is covered with black earth, depicting the womb. Then it is covered with white clay, which symbolises sperm. After the clay is set half-way, a comb is used to draw patterns resembling a rising Mother Goddess.
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