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Christmas Treasures '86, Silhouette (1986) Christmas Treasures '91 Silhouette (1991) To Mother With Love, Silhouette (1993) Men in Uniform By Request, (1994) Three Mothers and a Cradle, Silhouette (1995) Christmas Angels: 3 Heavenly Romances (1996) Mothers & Daughters, Signet (1998) ’Tis the Season, "Christmas Masquerade" @ Silhouette(1999)
The resulting image is a negative print of the hand, and is sometimes described as a "stencil" in Australian archaeology. [ 10 ] Miniature rock art of the stencilled variety at a rock shelter known as Yilbilinji, in the Limmen National Park in the Northern Territory , is one of only three known examples of such art.
Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r ɛ ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
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The Adventures of Prince Achmed (1926) by Lotte Reiniger is a silhouette animation using armatured cutouts with backgrounds that were variously painted or composed of blown sand and even soap. No. 12 , also known as Heaven and Earth Magic by Harry Everett Smith , completed in 1962, utilizes cut-out illustrations culled from 19th century catalogs.
In the 21st century digital technologies have ushered in a new era of costume design. Traditionally, theater costumers were manually crafted by hand, through sewing and patterns drafted on paper. Now, theater costumes are able to be designed using 3D printers, modeling software and other digital tools to create costumes more efficiently. [17]
Chinese paper cutting, in a style that is practically identical to the original 6th-century form. Jianzhi (Chinese: 剪紙, pinyin: jiǎnzhǐ) is a traditional style of papercutting in China, and it originated from cutting patterns for rich Chinese embroideries and later developed into a folk art in itself.