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The album includes recordings of the music that won the Grammy for Best Instrumental Composition Written for a Motion Picture or for Television ("Under the Sea"), the Academy Awards for Best Original Score and Best Original Song ("Under the Sea") and the Golden Globe Award for Best Original Score.
"Under the Sea" is a song from Disney's 1989 animated film The Little Mermaid, composed by Alan Menken with lyrics by Howard Ashman. [3] It is influenced by the calypso style of the Caribbean which originated in Trinidad and Tobago, as well as reggae, which originated in Jamaica. [citation needed] The song was performed in the film by Samuel E ...
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"Fathoms Below" is the opening song from the 1989 animated Disney feature film The Little Mermaid. A rousing sea shanty written by Alan Menken and Howard Ashman, the song is sung by the ship's crew on the film's original soundtrack. An extended version with additional lyrics by Glenn Slater appears in the 2008 stage adaptation of the musical. [1]
Finding Nemo (Original Motion Picture Soundtrack) is the soundtrack to the 2003 Disney/Pixar film of the same name.Featuring original score composed and conducted by Thomas Newman, the cousin of Randy Newman, who had collaborated with Pixar productions since Toy Story (1995), A Bug's Life (1998), Toy Story 2 (1999) and Monsters, Inc. (2001).
In 2016, Ignatiy Vishnevetsky of The A.V. Club described the song as "a placid piece of music that uses a sophisticated palette of synthesized instruments and futuristic sound effects to create a mood of calm that's very different from the sped-up themes usually associated with platform games", being "more nocturnal and urban than submarine".
A significant portion of Zappa's discography consists of instrumental works, but many of these could be classified as modern classical or avant-garde music rather than rock. "Peaches en Regalia" (Hot Rats, 1969) "Eat That Question" (The Grand Wazoo) Sleep Dirt (1979 - reissues of this album featured overdubbed vocals on several tracks)
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.