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The Kojiki (古事記, "Records of Ancient Matters" or "An Account of Ancient Matters"), also sometimes read as Furukotofumi [1] or Furukotobumi, [2] [a] is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 [3] concerning the origin of the Japanese archipelago, the kami (神), and the Japanese imperial line.
Table illustrating the kami that appeared during the creation of Heaven and Earth according to Japanese mythology.. In Japanese mythology, the Japanese Creation Myth (天地開闢, Tenchi-kaibyaku, Literally "Creation of Heaven & Earth") is the story that describes the legendary birth of the celestial and creative world, the birth of the first gods, and the birth of the Japanese archipelago.
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Kokoro (こゝろ, or in modern kana usage こころ) is a 1914 Japanese novel by Natsume Sōseki, and the final part of a trilogy starting with To the Spring Equinox and Beyond and followed by The Wayfarer (both 1912). [1]
There are 18 Japanese book National Treasures that do not belong to any of the above categories. They cover 14 works of various types, including biographies, law or rulebooks, temple records, music scores, a medical book and dictionaries. [4] Two of the oldest works designated are biographies of the Asuka period regent Shōtoku Taishi.
The term "National Treasure" has been used in Japan to denote cultural properties since 1897. [1] [2] The definition and the criteria have changed since the introduction of the term. These ancient documents adhere to the current definition, and have been designated National Treasures since the Law for the Protection of Cultural Properties came ...
Yokohama Kaidashi Kikou is set in a peaceful, post-cataclysmic world where mankind is in decline after an environmental disaster. Exactly what happened is never explained, but sea levels have risen significantly, inundating coastal cities such as Yokohama, Mount Fuji erupted in living memory, and climate change has occurred.
The Nihon Shoki was finished in 720 under the editorial supervision of Prince Toneri with the assistance of Ō no Yasumaro and presented to Empress Genshō. [1] The book is also a reflection of Chinese influence on Japanese civilization. [2] In Japan, the Sinicized court wanted written history that could be compared with the annals of the ...