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[15] For his contributions to the production side, Chuck stated that he "would scour for vocal samples all over the Earth. I would name a song, tag it, and get the vocal samples." [15] Chuck D also noted the productiveness of Sadler and Shocklee's differing approaches to the creative process. "The friction between Hank and Eric worked very well.
Often the hype man will use call-and-response chants in order to excite the crowd. For example, they will exhort the crowd to "Throw your hands in the air" and "Everybody say ho!", phrases coined by MC Cowboy. [1] The hype man's interjections are also planned to give the MC an opportunity to breathe, and give the illusion of an unbroken flow.
Man, Play and Games (ISBN 0029052009) is the influential 1961 book by the French sociologist Roger Caillois (French: Les jeux et les hommes, 1958) on the sociology of play and games or, in Caillois' terms, sociology derived from play. Caillois interprets many social structures as elaborate forms of games and much behaviour as a form of play.
Ohtani might’ve ended the night with the upper hand between the two, but Skenes unquestionably handled the larger assignment of taming the Dodgers’ lineup and securing a series victory for ...
In his essay, "How I Write My (Self: Plays)," Foreman explains his process of taking text to performance: "The writing tending towards a more receptive, open, passive receiving of 'what wants to be written' and the staging tending towards more active organization of the 'arrived' elements of the writing -- finding ways to make the writing ...
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The remainder of this chapter is devoted to an analysis of the idea of virtue (άρετή) as it relates to αγων and play. Competition affords members of a community to win accolades, esteem, and honor, and honor, according to Aristotle , is what allows people "to persuade themselves of their own worth, their virtue."
The play offers an "intermission piece" called "The Elephant Calf". It is a one-act surrealistic farce that has Galy Gay making his return as a baby elephant accused of murdering its mother. In March 1927 an adaptation of the play was broadcast by Radio Berlin's new drama department, with an introductory note in Der deutsche Rundfunk describing ...