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Pages in category "19th-century Italian painters" The following 200 pages are in this category, out of approximately 1,367 total.
Following is a list of Italian painters (in alphabetical order) ... Camillo Gioja Barbera (19th century) Luca Giordano (1634–1705) Giorgione (c. 1477–1510)
Italian portrait miniaturists (21 P) S. Sofonisba Anguissola (1 C, 9 P) Pages in category "Italian portrait painters" The following 72 pages are in this category, out ...
Gentile Bellini (c. 1429–1507), official portrait artist for the Doges of Venice; Giovanni Bellini (c. 1430–1516), painter, probably the best known of the Bellini family; Jacopo Bellini (c. 1400–c. 1470), painter, father of Gentile and Giovanni Bellini; Bernardo Bellotto (c. 1721/1722–1780), urban landscape painter and printmaker
Paolo and Francesca by Louis Rubio - oil on canvas, 1833 Louis II of Bourbon. Luigi or Louis Rubio (Rome, 6 February 1801 [1] – Florence, 2 August 1882) [2] was an Italian painter, active in both Neoclassicism but later Romantic styles, painting mainly historic-mythologic canvases, as well as some genre subjects, and portraits.
From the second half of the 18th century through the 19th century, Italy went through a great deal of socio-economic changes, several foreign invasions and the turbulent Risorgimento, which resulted in the Italian unification in 1861. Thus, Italian art went through a series of minor and major changes in style.
Self-portrait (date unknown) Domenico Morelli (4 August 1823 – 13 August 1901) [1] was an Italian painter, who mainly produced historical and religious works. Morelli was immensely influential in the arts of the second half of the 19th century, both as director of the Accademia di Belle Arti in Naples, but also because of his rebelliousness against institutions: traits that flourished into ...
From 1872, he lived in Paris, where he became a friend of Edgar Degas and became the most fashionable portrait painter in Paris in the late 19th century, with a dashing style of painting which shows some Macchiaioli influence and a brio reminiscent of the work of younger artists, such as John Singer Sargent and Paul Helleu. [3]
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