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Calvin's Commentaries, Vol. 10: Psalms, Part I, tr. by John King, (1847–50) / PSALM 1. sacred-texts.com; Charles H. Spurgeon: Psalm 1 detailed commentary, archive.spurgeon.org; Psalm 1 in Hebrew and English with commentary on specific Hebrew words. The happy man of Psalm 1, from the Jewish Bible Quarterly "Hymns for Psalm 1". hymnary.org
Beatus vir (Ecclesiastical Latin: [beˈatus ˈvir]; "Blessed is the man ...") [a] are the first words in the Latin Vulgate Bible of both Psalm 1 and Psalm 112 (in the general modern numbering; it is Psalm 111 in the Greek Septuagint and the Vulgate [b]). In each case, the words are used to refer to frequent and significant uses of these psalms ...
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
Anim Zemirot (Hebrew: אנעים זמירות, lit."I shall sweeten songs" [citation needed]) IPA: [ʔanˈʕiːm zǝmiːˈroːθ] is a Jewish liturgical poem recited in most Ashkenazic synagogues during Shabbat and holiday morning services; in most communities, it is said at the end of services, and in a small number of communities it is recited at the beginning of services or before the Torah ...
It has the "same style as three biblical apostrophes in Isaiah 54:1-8, 60:1-22, 62:1-8" and another copy of this composition can be found in 4Q88. [ 9 ] The Plea for Deliverance, found in column 19, was a psalm unknown before the discovery of 11Q5, where neither the beginning nor the end of the poem can be found, except some twelve lines of the ...
The author draws from the rabbinic interpretation of the Song of Songs, suggested as linguistically originating in the 3rd century BCE, in which the maiden is seen as a metaphor for an ancient Jewish population residing within Israel's biblical limits, and the lover (dod) is a metaphor for God, and from Nevi'im, which uses the same metaphor. [6]
The song was a hit single for Grant, reaching the top ten of the Christian radio chart. [1] "El Shaddai" won "Song of the Year" and Card won "Songwriter of the Year" at the 1983 GMA Dove Awards. [3] It was also named one of the "Songs of the Century" by the RIAA in 2001. [4]
The Psalm was written in the 16th Century by Philip Sidney, and was the last work he wrote before he died. The Sidney Psalter is a poetic adaption of the Biblical Psalms and differs much from other reworkings of the Psalms throughout the Renaissance period. Psalm 43 focuses on God as a protector alongside his absence and presence throughout.