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2. La Rabouilleuse - Wikipedia

   en.wikipedia.org/wiki/La_Rabouilleuse

   La Rabouilleuse (French pronunciation: [la ʁabujøz], The Black Sheep, or The Two Brothers) is an 1842 novel by Honoré de Balzac, and is one of The Celibates in the series La Comédie humaine. [1] The Black Sheep is the title of the English translation by Donald Adamson published by Penguin Classics. It tells the story of the Bridau family ...

3. La Comédie humaine - Wikipedia

   en.wikipedia.org/wiki/La_Comédie_humaine

   The representation of women in the Comédie humaine is extremely varied — spanning material from both the romantic and pulp traditions — and includes idealized women (like Pauline in La Peau de chagrin or Eugénie Grandet), the tragic prostitute Esther Gobsek (Splendeurs et misères des courtisanes), the worldly daughters of Goriot and ...

4. Honoré de Balzac - Wikipedia

   en.wikipedia.org/wiki/Honoré_de_Balzac

   In this letter, Balzac also reveals that the young woman had just come to tell him she was pregnant with his child. In 1834, 8 months after the event, Maria Du Fresnay's daughter by Balzac, Marie-Caroline Du Fresnay, was born.

5. We tried Quince's $50 jeans — here's what they look ... - AOL

   www.aol.com/lifestyle/tried-quinces-50-jeans...

   Kate is wearing the Stretch High Rise Skinny Jeans in black, size 32, inseam 26. (Kate Ellsworth for Yahoo) These are the comfiest jeans that have ever sat on my body.

6. Béatrix - Wikipedia

   en.wikipedia.org/wiki/Béatrix

   Béatrix is an 1839 novel by French author Honoré de Balzac (1799–1850) and included in the Scènes de la vie privée section of his novel sequence La Comédie humaine.. It first appeared in the periodical Le Siècle in August 1839, and appeared in volume form the same year.

7. Sarrasine - Wikipedia

   en.wikipedia.org/wiki/Sarrasine

   The intertextuality between Sarrasine and the myth of Pygmalion is a vital one, as it establishes the tragedy of misconception: Sarrasine creates a statue of the "female" La Zambinella, only to discover later that his subject wasn't a real "woman" as Sarrasine—that "a real woman is born from the statue". [4]