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The Horus of the night deities – Twelve goddesses of each hour of the night, wearing a five-pointed star on their heads Neb-t tehen and Neb-t heru, god and goddess of the first hour of night, Apis or Hep (in reference) and Sarit-neb-s, god and goddess of the second hour of night, M'k-neb-set, goddess of the third hour of night, Aa-t-shefit or ...
The culminating vignette, also known as facsimile #3, is the presentation of Hor to the Egyptian god of death and rebirth Osiris (seated), and his wife Isis (standing) after having been judged worthy to continue existence. Hor is adorned in Egyptian festival attire with a cone of perfumed grease and a lotus flower on his head. [9]
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Joseph Smith's interpretation: "Called in Egyptian Enish-go-on-dosh; this is one of the governing planets also, and is said by the Egyptians to be the Sun, and to borrow its light from Kolob through the medium of Kae-e-vanrash, which is the grand Key, or, in other words, the governing power, which governs fifteen other fixed planets or stars ...
The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom.. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard.
The crook and flail (heka and nekhakha) were symbols used in ancient Egyptian society. They were originally the attributes of the deity Osiris that became insignia of pharaonic authority. [ 1 ] The shepherd's crook stood for kingship and the flail for the fertility of the land.
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The gods replaced the pharaoh as their own representatives on Earth. The god Amun once again became king among all gods. [165] According to van Dijk, "the king was no longer a god, but god himself had become king. Once Amun had been recognized as the true king, the political power of the earthly rulers could be reduced to a minimum."