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In linguistic typology, split ergativity is a feature of certain languages where some constructions use ergative syntax and morphology, but other constructions show another pattern, usually nominative–accusative. The conditions in which ergative constructions are used vary among different languages.
Unlike split ergativity, which occurs regularly but in limited locations, optional ergativity can occur in a range of environments, but may not be used in a way that appears regular or consistent. Optional ergativity may be motivated by: The animacy of the subject, with more animate subjects more likely to be marked ergative
Pashto is an S-O-V language with split ergativity. Adjectives come before nouns. Nouns and adjectives are inflected for gender (masc./fem.), number (sing./plur.), and case (direct, oblique, ablative and vocative). The verb system is very intricate with the following tenses: Present; simple past; past progressive; present perfect; and past perfect.
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Yet other languages behave ergatively only in some contexts (this "split ergativity" is often based on the grammatical person of the arguments or on the tense/aspect of the verb). [19] For example, only some verbs in Georgian behave this way, and, as a rule, only while using the perfective (aorist).
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A movie that centres on people attending an artistic/sexual salon was a likely contender to feature unsimulated sex and Shortbus does, but director John Cameron Mitchell had a reason for including it.
In linguistic typology, active–stative alignment (also split intransitive alignment or semantic alignment) is a type of morphosyntactic alignment in which the sole argument ("subject") of an intransitive clause (often symbolized as S) is sometimes marked in the same way as an agent of a transitive verb (that is, like a subject such as "I" or "she" in English) but other times in the same way ...
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