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A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g.,
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. [1] It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an analogy. [2]
The following is a list of common metonyms. [n 1] A metonym is a figure of speech used in rhetoric in which a thing or concept is not called by its own name, but by the name of something intimately associated with that thing or concept.
In metaphor, this substitution is based on some specific analogy between two things, whereas in metonymy the substitution is based on some understood association or contiguity. [ 7 ] [ 8 ] American literary theorist Kenneth Burke considers metonymy as one of four "master tropes ": metaphor , metonymy, synecdoche , and irony .
The couple metaphor-metonymy had a prominent role in the renewal of the field of rhetoric in the 1960s. In his 1956 essay, "The Metaphoric and Metonymic Poles", Roman Jakobson describes the couple as representing the possibilities of linguistic selection (metaphor) and combination (metonymy); Jakobson's work became important for such French ...
The Conceptual Metaphor Hypothesis. The conceptual metaphor hypothesis proposes that metaphors are fundamental to human thought and they influence the comprehension of many aspects of language, including idioms. [9] An example of a conceptual metaphor is “love is a journey”.
Likewise, there is a correlation between knowing and seeing forming the primary metaphor knowing is seeing. Understanding an expression such as glass ceiling rests on two such primary metaphors. Evidence for primary metaphors is usually observed in the use of language, though evidence from the visual domain has also been researched. [3]
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