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The method involves not crossing the hands when playing the hi-hat (or ride-cymbal) and snare drum simultaneously as opposed to the more traditional way of playing drums which features crossed hands as the basic playing position. [1] Absolute beginners often choose this open-handed way of playing as their first and natural attempt at drumming.
The ride cymbal is a cymbal of material sustain used to maintain a beat in music. [1] A standard in most drum kits, the ride's function is to maintain a steady pattern, sometimes called a ride pattern, rather than provide the accent of a crash cymbal. It is normally placed on the extreme right (or dominant hand) of a drum set, above the floor ...
A crash/ride cymbal is a medium weight, slightly tapered cymbal, normally in the 18–22-inch (460–560 mm) range, designed to serve in a drum kit as both a crash and a ride cymbal. A ride/crash cymbal may be thought to be the same thing, but is actually different. Despite being similar in design and function to a crash/ride, it is slightly ...
Straight stands Five cymbal stand heads showing the button and mounting bolt Exploded views showing various patterns of washers, sleeve and nut. The simplest free-standing cymbal stands consist of a metal tripod with two or three concentric tubes allowing height adjustment, and a button at the top to allow angle adjustment.
The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal toward the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats"). The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus.
A flat ride cymbal or flat top ride [1] (or often just flat ride) is a ride cymbal without a bell, originally developed by Paiste in collaboration with jazz drummer Joe Morello as part of their Formula 602 series in 1967. The most common size is 20" followed by 18", but larger examples exist: Paiste Formula 602 flatride
To do this, the percussionist uses a single-stroke roll on the outside edge of the cymbal, using soft mallets, one on each side. The terminology most commonly used to describe this technique is a suspended cymbal roll. At times, a score also calls for hitting the cymbal with a stick or scraping it with a triangle beater.
Swish cymbal with six rivets in the traditional pattern Zildjian 19" Armand Ride with a three-rivet cluster. A sizzle cymbal is a cymbal to which rivets, chains or other rattles have been added to modify the sound, attached either by means of holes bored in the cymbal or by means of an attachment known as a sizzler.
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