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The painting depicts the event described in Luke 8:22–25 in which the disciples in charge of the vessel were scared by the sudden storm and awoke a sleeping Jesus in their panic. Rembrandt's version is considered among the more accurate depictions of the event as described in the Bible. [ 3 ]
Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well. The picture depicts the Baptism of Jesus by John the Baptist as recorded in the Biblical Gospels of Matthew, Mark and Luke. The angel to the left is recorded as having been painted by the youthful Leonardo, a fact which has excited so much ...
The painting by Raphael (top) shows Jesus in the boat and depicts the first miracle, while the painting by Duccio (bottom) shows Jesus on the shore and depicts the second miracle. The miraculous catch of fish , or more traditionally the miraculous draught of fish(es) , is either of two events commonly (but not universally) [ 1 ] considered to ...
Nolland notes that many scholars have attempted to use this verse as evidence for the Christian baptism ritual, but he does not believe that Jesus' baptism by fire and holy spirit can be so linked. [7] Whether the more powerful one coming after is a reference to God or Jesus is a matter of debate.
In the King James Version of the Bible the text reads: And Jesus, when he was baptized, went up straightway out of the water: and, lo, the heavens were opened unto him, and he saw the Spirit of God descending like a dove, and lighting upon him: The World English Bible translates the passage as: Jesus, when he was baptized, went up
Jesus walking on water in stained glass, St Giles' Cathedral The story of Jesus walking on water is retold in the gospels of Matthew , Mark , and John ; it is not in the Gospel of Luke . This episode is narrated towards the end of the Ministry of Jesus in Galilee before the key turning points halfway through the gospel narratives where Peter ...
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
The Wedding at Cana (Italian: Nozze di Cana, 1562–1563), by Paolo Veronese, is a representational painting that depicts the biblical story of the Wedding at Cana, at which Jesus miraculously converts water into red wine (John 2:1–11).