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Kurt Moll (11 April 1938 – 5 March 2017) [1] was a German operatic bass singer who enjoyed a widely renowned international career. [2]His voice was notable for its range, a true basso profondo, including full, resonant low and very-low notes with relaxed vibrato; also for its unusual combination of extreme volume-capacity and a purring, contrabassoon-like timbre.
Basso profondo (Italian: [ˈbasso proˈfondo], "deep bass"), sometimes basso profundo or contrabass, is the lowest bass voice type.. While The New Grove Dictionary of Opera defines a typical bass as having a range that extends downward to the second E below middle C (E 2), [1] operatic bassi profondi can be called on to sing low C (C 2), as in the role of Baron Ochs in Der Rosenkavalier.
The bass singing voice has a vocal range that lies around the second E below middle C to the E above middle C (i.e., E 2 –E 4). [1] As with the contralto singing voice being the rarest female voice type, the bass voice is the rarest for males, and has the lowest vocal range of all voice types. [2]
The low extreme for basses is generally C 2 (two Cs below middle C). Some extreme bass singers, referred to as basso profondos and oktavists, are able to reach much lower than this. Within opera, the lowest note in the standard bass repertoire is D 2, sung by the character Osmin in Mozart's Die Entführung aus dem Serail, but few roles fall ...
Co-lead vocalist, usually plays the guitar live while singing while guitarist Farin Urlaub plays the bass Ken Casey: Dropkick Murphys: Co-lead vocalist Björn Both: Santiano: Co-lead vocalist, but basically the most lead one from the 5 Evgeny Fedorov: Tequilajazzz: Jean Millington: Fanny: Co-lead vocalist Shafin Ahmed: Miles: Lead vocalist Dave ...
Classical double bass players are performers who play the double bass, the largest and lowest-pitched commonly played bowed string instrument. They perform European art music ranging from Baroque suites and Mozart -era Classical pieces to contemporary and avant-garde works in a variety of settings, ranging from large symphony orchestras to ...
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For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In classical music, a "pure" contralto is considered the rarest type of female voice. [3] In non-classical music, singers are primarily defined by their genre and their gender, not their vocal range. [4]