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The song was written by Alice in Chains guitarist/vocalist Jerry Cantrell for his father, Jerry Cantrell Sr., who served with the U.S. Army during the Vietnam War. "Rooster" was a childhood nickname given to Cantrell Sr. by his great-grandfather, because of his perceived "cocky" attitude and his hair, which used to stick up on top of his head like a rooster's comb.
Jerry Sr. was the main subject of the song "Rooster", which Cantrell wrote as a tribute to his father, [28] and his mother Gloria is also mentioned by name in the song. [29] Father and son also appeared together on the music video for "Rooster", in which Jerry Sr. recalls the war. [27]
"Staring at the Sun" is a song by English indie rock band Rooster, featured on their 2005 debut self-titled album. Written by vocalist Nick Atkinson, guitarist Luke Potashnick and producer Steve Robson, the song was released as the second single from the album on 15 January 2005, reaching number five on the UK Singles Chart and number 33 on the Irish Singles Chart—the band's highest chart ...
A tall Shanghai rooster, and a one-spotted hog. Refrain Singing too-ra-li-oo-ra-li-oo-ra-li-ay. (2) They swam the wide rivers and crossed the tall peaks, And camped on the prairie for weeks upon weeks. Starvation and cholera, hard work and slaughter--They reached California 'spite of hell and high water. Refrain
The songs "Fear the Voices" and "Lying Season" were featured on Alice in Chains' 1991 demo tape that featured songs from Sap and Dirt. [8] Both of these songs were later included on the band's 1999 box set, Music Bank. "Fear the Voices" was released as a single in 1999 to promote Music Bank and became a radio hit that same year. Regarding the ...
"You're So Right for Me" is a song by English hard rock band Rooster. Written by vocalist Nick Atkinson, guitarist Luke Potashnick and production duo Chris and Tony Griffiths, who co-produced the track with Mark Wallis and David Ruffy, it was featured on the band's 2005 self-titled debut album.
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The Coens discussed the idea of using 19th-century church music, "something that was severe (sounding). It couldn't be soothing or uplifting, and at the same time it couldn't be outwardly depressing. I spent the summer going through hymn books," Burwell said. [2] Johnny Cash's rendition of "God's Gonna Cut You Down" was used in the theatrical ...