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This allows for the books' meaning to be personally interpreted by the reader, instead of the author detailing a strict, set meaning. J. R. R. Tolkien was a devout Roman Catholic from boyhood, and he described The Lord of the Rings in particular as a "fundamentally religious and Catholic work; unconsciously so at first, but consciously in the ...
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements such as hope and ...
The Lord of the Rings is an epic [1] high fantasy novel [a] written by English author and scholar J. R. R. Tolkien.Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit but eventually developed into a much larger work.
J. R. R. Tolkien's fantasy novel The Lord of the Rings has been translated, with varying degrees of success, many times since its publication in 1954–55. Known translations are listed here; the exact number is hard to determine, for example because the European and Brazilian dialects of Portuguese are sometimes counted separately, as are the Nynorsk and Bokmål forms of Norwegian, and the ...
He described The Lord of the Rings as "fundamentally" Christian, and there are many Christian themes in that work. He wrote in a letter to his close friend and Jesuit priest, Robert Murray: [T 1] The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision. That is ...
Tolkien said "Of course God is in The Lord of the Rings. The period was pre-Christian, but it was a monotheistic world", and when questioned who was the One God of Middle-earth, Tolkien replied "The one, of course! The book is about the world that God created – the actual world of this planet." [34]
A quality of literature that Tolkien particularly prized, and sought to achieve in The Lord of the Rings, was the impression of depth, of hidden vistas into ancient history. He found this especially in Beowulf , but also in other works that he admired, such as Virgil 's Aeneid , Shakespeare 's Macbeth , Sir Orfeo , and Grimms' Fairy Tales . [ 31 ]
The Lord of the Rings, book 3, ch. 5 "The White Rider" [T 5] In addition, the leapfrogging of the timeline by the multiple interlaced story threads in The Lord of the Rings allows Tolkien to make hidden connections that can only be grasped retrospectively, as the reader realises on reflection that certain events happened at the same time.