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As opposed to a pure well ordered emotive life (ordo amoris) appropriate to the ethical person as created in God's image through love (ens amans), Pathological Ressentiment emotively results in a disordered heart (de’ordre du coeurs), [36] or what we might commonly refer to as a "hardened heart."
Diango Hernández was born in Sancti Spíritus, Cuba in 1970. His mother was a high school teacher—and later professor—and his father was an engineer. [1] He attended boarding school in the countryside as a teenager, going on to study at the Havana Superior Institute of Design (ISDI) from 1989 to 1994 where he received a degree in industrial design.
Max Scheler (1874–1928) Max Scheler (1874–1928) was an early 20th-century German Continental philosopher in the phenomenological tradition. [1] Scheler's style of phenomenology has been described by some scholars as “applied phenomenology”: an appeal to facts or “things in themselves” as always furnishing a descriptive basis for speculative philosophical concepts.
The term "ordo amoris," first coined by ancient bishop and theologian St. Augustine in his work, "City of God," has been translated to mean "order of love" or "order of charity."
[1] Along with other artists, also inspired by the provisional art movement in Cuba, made the collective Ordo Amoris Cabinet. [1] Acea is a graduate of the Havana Superior Institute of Design. [2] As of 2024, Acea lives between Miami and New York City. Acea has exhibited internationally, solo and group, and currently performs as President of ...
Ordo Virtutum (Latin for Order of the Virtues) is an allegorical morality play, or sacred music drama, by Hildegard of Bingen, composed around 1151, during the ...
Oroza was co-founder (1999) of Laboratory Maldeojo (with Fabian Martinez and Nelson Rossell), member until 2004 (Havana, Cuba) and co-founder (1995) of Ordo Amoris Cabinet (with Diango Hernandez, Juan Bernal, Francis Acea), member until 1996 (Havana, Cuba). In 2019, he was an Artist-in-Residency at Oolites Arts, Miami. [1]
The Stimulus Amoris is a mystical treatise on love written by the Franciscan James of Milan in the late thirteenth century. The text was expanded after James's death, growing from twenty-three to fifty-three chapters by the early fourteenth century, and growing yet again in its 1476 and 1596 printings.