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Some composers have discussed the significance of silence or a silent composition without ever composing such a work. In his 1907 manifesto, Sketch of a New Esthetic of Music, Ferruccio Busoni described its significance: [1] That which, within our present-day music, most nearly approaches the essential of the art, is the Rest and the Hold (Pause).
"Il Silenzio" ("The Silence") is an instrumental piece, with a small spoken Italian lyric, notable for its trumpet theme. It was written in 1965 by trumpet player Nini Rosso, [1] its thematic melody being an extension of the same Italian Cavalry bugle call Il Silenzio d’Ordinanza used by Russian composer Tchaikovsky to open his Capriccio Italien (often mistaken for the U.S. military bugle ...
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
Robert Muczynski wrote Three Preludes for Unaccompanied Flute, Opus 18, in 1962, shortly after finishing his Sonata for Flute and Piano, Opus 14 (1960–61). Despite the title, Muczynski meant them to be encores. [1] According to the composer, the preludes fleetingly portray different moods, such as "jaunty, nocturnal, and free-wheeling". [1]
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
Sheets of sound was a term coined in 1958 by DownBeat magazine jazz critic Ira Gitler to describe the new, unique improvisational style of John Coltrane. [ 1 ] [ 2 ] Gitler first used the term on the liner notes for Soultrane (1958).
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Antonio Vivaldi wrote a set of flute concertos, Op. 10, [a] that were published c. 1728 by Amsterdam publisher Michel-Charles Le Cène. [1] Flute Concerto No. 1 "La Tempesta di Mare" in F major, RV 433 Allegro; Largo; Presto; Flute Concerto No. 2 "La Notte" in G minor, RV 439 (see also RV 104, composed in the 1710s with chamber accompaniment) Largo
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