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A Boeing 747-400 wearing the Chelsea Rose livery takes off past two other 747s in the Chatham Dockyard livery, c. 2002. In 1997 British Airways (BA) adopted a new livery.One part of this was a newly stylised version of the British Airways "Speedbird" logo, the "Speedmarque", but the major change was the introduction of tail-fin art.
Concept art is a form of visual art used to convey an idea for use in film, video games, animation, comic books, television shows, or other media before it is put into the final product. The term was used by the Walt Disney Animation Studios as early as the 1930s. [ 1 ]
The hunt to find rare car photos of early prototypes, hidden for decades, just got a little easier. ... Ford is revealing 100 new concept car images, including 45 new vehicles, to total 378 unique ...
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
The researchers compared the genomes of six species of apes, including humans, and 15 species of monkeys with tails to pinpoint key differences between the groups. Our ancient animal ancestors had ...
in his studio soon after graduating, Nauman had the simple but profound realization that “If I was an artist and I was in the studio, then whatever I was doing in the studio must be art. At this point art became more of an activity and less of a product.” [ 3 ] Nauman set up a studio in a former grocery shop in the Mission district of San ...
Kosuth stresses the difference between concept and presentation in his writings (e.g., "Art after Philosophy", 1969 [2]) and interviews (see the quotation below). He tries to intimately bind the conceptual nature of his work with the nature of art itself, thus raising his instructions for the presentation of an artwork to the level of a ...
The idea of neo-conceptual art (sometimes later termed post-conceptual art) in the United States was clearly articulated by Tricia Collins and Richard Milazzo (working as a team called Collins & Milazzo) in the early and mid 1980s in New York City, [1] when they brought to prominence a whole new generation of artists through their copious writings and curatorial activity. [2]