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There was a prevailing sense of optimism, as socialist realism's function was to show the ideal Soviet society. Not only was the present glorified, but the future was also supposed to be depicted in an agreeable fashion. Because the present and the future were constantly idealized, socialist realism had a sense of forced optimism.
Grant Wood's magnum opus American Gothic, 1930, has become a widely known (and often parodied) icon of social realism.. Social realism is work produced by painters, printmakers, photographers, writers, filmmakers and some musicians that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions.
Collectively, the artists of the New Deal produced a vast archive: Murals, including 1,100 post office murals , [6] free-standing and bas relief sculpture, an estimated 30,000 posters, [7] more than 700 books and pamphlets and radio scripts, [8] and architectural details for scores of public buildings, in a style now called WPA Moderne. [9]
The culture of the People's Republic of China (PRC) is a rich and varied blend of traditional Chinese culture with communist and other international modern and post-modern influences. During the Cultural Revolution , an enormous number of cultural treasures of inestimable value were seriously damaged or destroyed, and the practice of many arts ...
The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a sociopolitical movement in the People's Republic of China (PRC). It was launched by Mao Zedong in 1966 and lasted until 1976. Its stated goal was to preserve Chinese socialism by purging remnants of capitalist and traditional elements from Chinese society.
These posters used a number of themes to encourage support for the war, including conservation, production, recruiting, home efforts and secrecy. [11] Posters were usually placed in areas without paid advertisements. [11] The most common areas were post offices, railroad stations, schools, restaurants and retail stores. [13]
Word of the Week posters were politically skewed and meant to rally public opinion in support of the Nazi efforts. The posters set out to educate and unify the German people before and especially during World War II. The posters were placed in train cars, buses, platforms, ticket windows—anywhere there was dense traffic flow.
During the 1940s and 1950s Greenberg proved to be an articulate and powerful art critic. In particular his writing on American Abstract expressionism, and 20th-century European modernism persuasively made the case for High art and culture.