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Consecutive fifths were usually considered forbidden, even if disguised (such as in a "horn fifth") or broken up by an intervening note (such as the mediant in a triad). [ clarification needed ] The interval may form part of a chord of any number of notes, and may be set well apart from the rest of the harmony , or finely interwoven in its midst.
Parallel motion at an interval of a perfect fifth is known as parallel or consecutive fifths, and at an interval of an octave is known as parallel or consecutive octaves. Perfect intervals, i.e. the (perfect) unison, fifth and octave, are generally avoided in traditional counterpoint because they offer the lines so little independence from each ...
In 1 ⁄ 4-comma meantone, by definition 11 perfect fifths have a size of approximately 697 cents (700 − ε cents, where ε ≈ 3.42 cents); since the average size of the 12 fifths must equal exactly 700 cents (as in equal temperament), the other one must have a size of about 738 cents (700 + 11ε, the wolf fifth or diminished sixth); 8 major ...
All-fifths tuning. All-fifths tuning refers to the set of tunings for string instruments in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is the standard tuning for mandolin and violin and it is an alternative tuning for guitars. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar ...
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The concept is traditionally taught under the name "parallel fifths" referring to the function of the apparent sonority, not necessarily the relative motion between voices. "Consecutive fifths" doesn't really mean anything and IMO it is the misnomer. Going from d5 to P5 is mandatory from vii dim7 up a step for instance.
From thinking investing is like gambling to believing that cash is safer than stocks, these are some of the most persistent misconceptions preventing people from building wealth.