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A two bar sequence at the end of a blues progression, rhythm changes progression, or other forms, notably 32-bar AABA jazz song forms, which signals to the listeners and performers that the song ending or subsection ending has been reached, and as such, the song will repeat again from the beginning.
At a minimum, jazz blues usually include a ii–V progression in place of the simple V chord and a I–VI/vi–ii–V turnaround at the end of the form. Jazz-funk: Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. 1970s -> Jazz fusion
This is an A–Z list of jazz tunes, which includes jazz standards, pop standards, and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. For a chronological list of jazz standards with author details, see the lists in the box on the right.
A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands. Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
Since the 1950s, sacred and liturgical music has been performed and recorded by many prominent jazz composers and musicians. [186] The "Abyssinian Mass" by Wynton Marsalis (Blueengine Records, 2016) is a recent example. Relatively little has been written about sacred and liturgical jazz.
Smith's recording with her Jazz Hounds has been called the earliest genuine jazz recording by a black ensemble. [110] Bix Beiderbecke recorded an influential version in 1927. [109] Darius Milhaud used the song in his ballet La création du monde. [111] 1919 – "Someday Sweetheart". [112] Jazz song credited to John Spikes. [113]
The song's I-vi-ii-V7 chord progression has been used in countless jazz compositions, and is commonly known as "rhythm changes". [20] George Gershwin's last concert composition, Variations on "I Got Rhythm" was based on this song. [21] "Lazy River", [4] [22] a song by Hoagy Carmichael and Sidney Arodin, [23] was a hit for the Mills Brothers in ...
The song's driving rhythm, basically the first bar of a 3 2 clave, came to have widespread use in jazz comping and musicians still reference it by name. [4] Harmonically, the song features a five-chord ragtime progression (I-III7-VI7-II7-V7-I). [5] Recordings of The Charleston from 1923 entered the public domain in the United States in 2024. [6]