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A saijiki (歳時記, lit. "year-time chronicle") is a list of Japanese kigo (seasonal terms) used in haiku and related forms of poetry. An entry in a saijiki usually includes a description of the kigo itself, as well as a list of similar or related words, and some examples of haiku that include that kigo. [1]
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
Book of Haikus is a collection of haiku poetry by Jack Kerouac. It was first published in 2003 and edited by Regina Weinreich. It was first published in 2003 and edited by Regina Weinreich. It consists of some 500 poems selected from a corpus of nearly 1,000 haiku jotted down by Kerouac in small notebooks.
Hototogisu (ホトトギス, "lesser cuckoo"). Front of Hototogisu, 1905 March Edition. is a Japanese literary magazine focusing primarily on haiku.Founded in 1897, it was responsible for the spread of modern haiku among the Japanese public [1] and is now Japan's most prestigious and long-lived haiku periodical.
In 1992 the BHS published The Haiku Hundred, an anthology of haiku in English to bring haiku to the attention of UK readers. [ 3 ] In 2009, the then president of the society, Annie Bachini , [ 4 ] complained about the quality of haiku being submitted to a haiku string competition where the winning entries, which were flashed on a screen at ...
Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
With ties from his former life severed, and without any material possessions, he began to write haiku in earnest. His only book, Daikū (大空, Big Sky), contains poems of his solitary final years, and was selected by Ogiwara Seisensui from the over 4,000 haiku composed by Ozaki between 1916 and 1926. The collection was published posthumously ...
Higginson's experience in Japan led him to conclude "the 17 sound structure of Japanese haiku did not translate into 17 syllables in English" and in his translations therefrom stressed more upon "the order of images, the grammar between them (or lack thereof) and the psychological effect of the poems". [4]
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