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stained-glass windows were commonly used in churches for decorative and informative purposes. Many windows are donated to churches by members of the congregation as memorials of loved ones. For more on the use of stained glass to depict religious subjects, see Poor Man's Bible. Important examples
Angel of the Resurrection is a massive stained glass window by the American Art Nouveau glass manufacturer Tiffany Studios, now in the collection of the Indianapolis Museum of Art (IMA). It was commissioned by former- First Lady Mary Dimmick Harrison as a memorial to her husband, President Benjamin Harrison .
In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
English: The east window of St Michael and All Angels (Old Church), Brighton, East Sussex, made by the firm of Clayton and Bell in 1862. It represents, (at top): Christ in Majesty; (higher row) the archangels Michael and Gabriel, the Virgin Mary, and the archangel Raphael; (lower row) the archangels Uriel, Camael, Jophiel and Zadkiel; (centre) the Crucifixion.
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
Download QR code; In other projects Appearance. move to sidebar hide ... 1=''Saint Cornelius and Angel'', stained glass lancet windows by Tiffany Studios, ...
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Design for beatitude window for Arlington Street Church, Boston, Massachusetts. Frederick Wilson's career designing stained glass spanned more than 50 years. He was "known and accepted as an important artist in his field" during his lifetime, and his work had a major impact on how American ecclesiastical stained glass looked around the turn of the 20th century.
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