Search results
Results from the WOW.Com Content Network
Messiah or Handel: Messiah features the Mormon Tabernacle Choir with the Philadelphia Orchestra, Eugene Ormandy (conductor), Richard Condie (choir director) and soloists Eileen Farrell, Martha Lipton, Davis Cunningham and William Warfield.
Surely, He hath borne our griefs. The dotted rhythm returns in instruments and voices in the chorus "Surely, He hath borne our griefs and carried our sorrows", the continuation of Isaiah's text, set in F minor. The chorus continues with the remainder of Isaiah 53:5 and ends on the words "the chastisement of our peace was upon him".
In Hindi, the hymn is a very important song and is sung as "Yeshu kaisa dost pyara". In Marathi, the hymn has been translated as "Kon Mitra Yeshuwani" By Mary Bessel. The song is common during solemn services (Passion week and burial). In Malayalam, the hymn as "Enthu Nallore sakhi Yesu" is sung to comfort and as an invitation to Christ. [12]
But all in vain – it is mere intoxication. Whittier ends by describing the true method for contact with the divine, as practised by Quakers : sober lives dedicated to doing God's will, seeking silence and selflessness in order to hear the "still, small voice", described in I Kings 19:11-13 as the authentic voice of God, rather than earthquake ...
[3] [4] The imagery of shepherd and lamb features prominently in many movements, for example: in the aria "He shall feed His flock like a shepherd" (the only extended piece to talk about the Messiah on earth), in the opening of Part II ("Behold the Lamb of God"), in the chorus "All we like sheep", and in the closing chorus of the work ("Worthy ...
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords.
"I Can Take or Leave Your Loving" is a song written by Tony Macaulay and John Macleod which was written for and originally recorded by The Foundations and it was issued as the B side of their 1968 release "Back on My Feet Again". [1]
When the song was released in October 2017, the song sold 18,000 copies in its first week, [4] allowing the song to debut on the Hot Country Songs chart at No. 25. [5] It debuted on Country Airplay the previous week at No. 51 on the chart date of October 21, 2017. [6] The song has sold 143,000 copies in the United States as of March 2018. [7]