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The expression fortepiano (sometimes called forte piano) is a sudden dynamic change used in a musical score, usually with the abbreviation fp, to designate a section of music in which the music should be played loudly (forte), then immediately softly (piano). [1] It is not unusual for it to be followed by a crescendo, a gradual increase in ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
forte (f) Strong (i.e. to be played or sung loudly) forte-piano (fp) Strong-gentle (i.e. loud, then immediately soft; see dynamics) fortepiano An early pianoforte fortissimo (ff) Very loud (see note at pianissimo) fortississimo (fff) As loud as possible forza Musical force; con forza: with force forzando (fz) See sforzando freddo
On a piano, played with the soft pedal depressed (For why both terms exist, see Piano#Pedals.) Tre corde or tutte le corde: three strings or all the strings: Cancels una corda Glissando: gliding, glossing: A sweeping glide from one pitch to another used for dramatic effect Legato: tied: A series of notes played with a smooth connection between ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Fortepiano by Paul McNulty after Walter & Sohn, c. 1805 A fortepiano [ˌfɔrteˈpjaːno] is an early piano.In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century.
The continued repetition of a note or chord is expressed by a stroke or strokes across the stem, or above or below the note if it be a whole note or double whole note.The number of strokes denotes the subdivision of the written note into eighth notes, sixteenth notes, etc., unless the word tremolo or tremolando is added, in which case the repetition is as rapid as possible, without regard to ...
Piano Concerto No. 2 (1916–17; only two-piano version survives) Piano Concerto No. 3 (1918) Piano Concerto No. 4 (1918) Piano Concerto No. 5 (1920) Piano Concerto No. 6 (1922) Piano Concerto No. 7, Simorg-Anka (1924) Piano Concerto No. 8 (1927–28) Symphonic Variations for Piano and Orchestra (1935–37, 1953–56) Opus clavisymphonicum ...
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