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The video, performed by Drew Colby, uses shadowgraphy or "hand shadow puppetry" to show two birds struggling to find food for their chicks. Colby used hand shadows to produce the images of birds, spiders and landscapes, which were there composited together digitally. [ 6 ]
The album was written over a period of seven years, [1] and is her first solo album since 2012's Violet. [2] Peris described A Song Is Way Above the Lawn as "an illustrated album, for kids or for anyone who might like songs about walking under trees in a city, seeing dogs from a car window, reading, encountering gentle lions in the public library, listening to the first sounds of the morning ...
"Lanterns" is the second single from Australian alternative rock band Birds of Tokyo's fourth album, March Fires. Band member Ian Berney said "It was always about our own sense of community and reaching far and wide in the most positive way we could, with the most positive message we had at the time, and it really connected with people."
"Tennessee Bird Walk" is a 1970 novelty single by the country music husband-and-wife duo Jack Blanchard & Misty Morgan. The single was the duo's second release on the country charts and became their most successful single. "Tennessee Bird Walk" went to number one on the country charts for two weeks and spent a total of sixteen weeks on the ...
The music video was directed by Fane Flaws, and was the first of six videos he was to make with The Mutton Birds. [9] As well as being nominated for Best Video at the 1993 New Zealand Music Awards, it also won Best Music Video at the 1993 New Zealand Film & Television Awards.
Birds of Tokyo lead singer Ian Kenny said: "When we were writing and recording we kept talking about how we wanted to make a really dark and intense rock record that would be great to play live. So we can't wait to finally crank out these new songs as well as lots of others at some gigs."
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"Nearly Lost You" is a song by the American alternative rock group Screaming Trees. It was the first single released in support of their sixth album, Sweet Oblivion.Perhaps their best-known song, it was a moderate success on modern rock radio, partly because of its appearance on the soundtrack to the 1992 Cameron Crowe film Singles.