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The idée fixe theme, which recurs in various guises in each of the five movements. The Symphonie fantastique is a piece of programme music that tells the story of a gifted artist who, in the depths of hopelessness and despair because of his unrequited love for a woman, has poisoned himself with opium. The piece tells the story of the artist's ...
The film is based upon the life of the French composer Hector Berlioz. The title is taken from the five-movement programmatic Symphonie fantastique of 1830. The film lasts around 90 minutes and was first shown at the 'Normandie' cinema in Paris on 1 April 1942. The posters at the premiere contained the sub-title 'La Vie passionnée et glorieuse ...
5 Grande messe des morts (Requiem) 1837 5 December 1837 9 76 23 Benvenuto Cellini, opera semiseria 1836–38 10 September 1838 Libretto: L. de Wailly, A. Barbier and A. de Vigny 1 78 Aubade 1839 13 79 17 Roméo et Juliette, symphonie dramatique 1839 24 November 1839 18 80 15 Grande symphonie funèbre et triomphale: 1840 26 July 1840 19 81 7
"Dream of Witches' Sabbath" from Symphonie Fantastique. The violins and violas play col legno, striking the wood of their bows on the strings (Berlioz 1899, 220–22). Heinrich Ignaz Franz von Biber; Battalia (1673). The strings play col legno, striking the wood of their bows on the strings, in addition to numerous other techniques (Boyden 2001).
Another significant model was given by Hector Berlioz in his programmatic Symphonie fantastique of 1830, whose "idée fixe" serves as a cyclic theme throughout the five movements. By the 1840s, the technique is already quite established, being found in several works by Robert Schumann , Fanny Hensel , Niels Gade , Franz Berwald , and the ...
A musical example of such irony can be found in the last movement of the Symphonie fantastique by Hector Berlioz which quotes the medieval (Gregorian) Dies Irae (Day of Judgment) melody in a shockingly modernistic manner. In 1830 Liszt attended the first performance of the symphony and was struck by its powerful originality.
For the third movement pastorale, Balakirev had hoped for a Russian version of the corresponding movement from the Symphonie fantastique. Tchaikovsky's version is more conventional, with two simple themes—one graceful, the other more roughly rustic. It forms in its static quality an idealized retreat before the turmoil of the finale.
The Paris Opera cooperated with NASA, ESA, CNES. and film companies which produce environmental films for the production of Berlioz's work. [12] Three instrumental passages, the Marche Hongroise (Hungarian March), Ballet des sylphes, and Menuet des follets are sometimes extracted and performed as "Three Orchestral Pieces from La damnation de ...